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poetry

Open Call for Authors 2018

3D audiobook production & commercial publication

Photo: Natalie McQuade

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Approaching the third decade of the XXI century, words such as “writing” or “publishing” should suggest a wider range of meanings.

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Remembering the future of reading

“The Commonwealth of the Future”

illustrations by Albert Robida (The End of Books by Octave Uzanne, 1894) | photo by José Tomé & tangiblemode | design by tangiblemode

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The 3Dness of words

Photo: Gerardo Garcia for tangiblemode

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Who has ever really listened to a word?

When it comes to listening to words, ears commonly tend to focus on a limited range of decoding processes. From meaning to subliminal tone and intensity clues, most of the cognitive effort goes into ‘understanding’ the speaker. From a broader aural point of view, that’s quite a poor listening, even for a single spoken word. Spoken words are not just symbols –such as those flat, typed words on a screen or on paper– but real things, physical objects, living events in our 3-dimensional world.

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POETRY AS A DATASET

poetry

© bluefern / 123RF Stock Photo

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Why poetry? To paraphrase computer jargon, our attraction to poetry is an “object-oriented” fascination. Within such an unfathomable field, we avow a clear inclination towards its shareable, objectual side over the subjective, solipsistic one. That does not mean we are not deeply open to collaborate actively –we are– with poets and aesthetics all ’round…

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